Music became a model for both of us. We found a principle that fitted our philosophy in musical counterpoint: each action produces a corresponding reaction. So we found a suitable system in counterpoint fugue, a dynamic and polar arrangement of conflicting energies, and we saw life as such in this model. […]
Vjdada can be understood as a theme and variations over a film by Hans Richter. An application makes a real time analysis of the frames and send all the extracted parameters to a sound so I am able to do a sonic resynthesis of the mute film. First the whole film (3 minutes) is sonified and later it is reorganized, remixed in a contemporany aesthetic.
Made with Pure Data and OpenFrameWorks.