ultranoise [enrique tomás]

sound artist

Curriculum vitae and Contact [enrique tomás]

Enrique Tomás

Melicharstr. 1

4020 Linz

Austria

Phone: +43 664 2076 329 / +34 696 5249 15

email: warholiano@yahoo.es

website: http://www.ultranoise.es

bandcamp: http://enriquetomas.bandcamp.com

Skype: warholianomadrid

MOST RELEVANT CONCERTS AND PERFORMANCES

2022

  • Festival Insonora 22, Sala Replika, Madrid, Spain. 11 March 2022.
  • Festival IF, iMAL Brussels, Belgium. 21 April 2022.
  • Nordico Museum Archive Opening, Linz, Austria. 4 May 2022.
  • Festival Akousmata, Ionian University Corfu, Greece. 1 & 2 June 202.
  • Nachhall #2, Echo Raum Vienna, Austria. 3 June 2022.

2021

  • Ars Electronica Festival 2021, Sound Campus, Binaural Concert, 10 September.
  • Ars Electronica Festival 2021, Nightline, Stadtwerkstatt, 11 September.
  • NIME Confenrence Shanghai, 16 Juni 2021. Improvisation mit Embodied Gestures Instruments.
  • Binaural Konzert, KOMA Ottensheim, 24 July 2021.
  • Blaues Rauschen Festival Essen, 17 Oktober 2021.

    2020

  • Echoes Around Me festival Wien, 2-3 Oktober 2020, Improvisation mit Embodied Gestures Instruments
  • EchoRaum Wien, 9.5.2020. “embodied gestures improvisation mit Thomas Gorbach.
  • ESC Medienkunst Labor Graz, 17.1.2020. “30 minutes of SDR” for the international event “The Arts Birthday”.
  • Insonora Festival 2020, 13.2.2020 “AMoment of Transition”.

2019

  • CentroCentro Madrid, VANG Programme, Premiere “Post-digital” commissioned by Madrid Council of the Arts, 24.4.2019.
  • Eufonic Urba? Festival Barcelona, “A moment of transition”, 1.2.2019, Centro de Arte Santa Mo?nica.
  • Gallery V&V Wien, 7.11.2019 “Tangible Colliders”.
  • 1st Council of Festive Devils, Santa Clara Church Bogota?, Colombia. 9.12.2019 Organised by the National University of Colombia in Bogota?. Concert “The Dawn of Krampus”.

    2018

  • Eufonic Festival, San Carles de la Ra?pita, Spain, “A moment of transition”, 30.8.2019.
  • Medialab-Prado Madrid, Spain, AVLAB, “A moment of transition”, 30.6.2019
  • UniversidaddePontevedra,Spain.“Amomentoftransition”,2.5.2018.
  • LEV Festival, Gijo?n,Spain, Paraninfo de la Universidad Laboral, “A moment of transition”, 29.4.2018.
  • FlamencoFestivalofSlovenia,NationalTheaterofLjubljana,“Bagatelles”,10.2.2018.

  2017

  • Theater hTh Montpellier, “A moment of transition”, 12.10.2017.
  • Festival Blaues Rauschen, Herne, Alemania, “A moment of transition”, 7.10.2017.
  • StadwerkstattLinz,cicloNoiseFru?hstuck,23.6.2017.
  • IEMGraz,Austria.“TangibleScores”,4.5.2017

    2016

  • Verkadefabriek Den Bosch, November Music Festival, “Bagatelles”, 13th November.
  • IRCAM, Centre Pompidou Paris, “Tangible Scores”, 22nd September.
  • Ars Electronica Festival 2016, STWST Main Deck, “SDR Music”, 10th September.
  • Linz Fest, Salzamt Linz, “SDR Music”, 14th May.
  • MEM Festival, Sala Sarean Bilbao, 16th March.
  • MEMPHIS Linz, Musikkapelle Interface Culture, 25th January.
  • Stadwerkstatt-Eleonore Schiff, Art’s Birthday, 14th January.
  • 2015
  • Ars Electronica Festival, Linz. “Sense of Place”, 7th September
  • Unmade Displays, Udine. “VJdada”, 20th March.
  • Muziekgebouw Amsterdam, “Bagatelles”, 22nd and 23rd January
  • Villa K, Stichting Centrum The Hague, 21st January
  • Lantaren Vernster Rotterdam, “Bagatelles”, 18th January
  • 2014
  • Noise Cocktail, Dokapi – Kunstuniversität Linz, “Ultranoise”, 20th March.
  • Sonar Festival + D, Barcelona, “Tangible Scores Showcase”, 12th June.
  • Cidade da Cultura – Atardeceres no Gaiás, Santiago de Compostela, “Ultranoise”, 24th July.
  • Festival SinSal, Isla San Simón, Pontevedra (Spain), “MidiMarschMusik-Kapelle”, 27th July.
  • Fundacion Eugenio Granell, Santiago de Compostela, “Sense of Place”, 29th July.
  • New Interfaces for Musical Expression Conference, Goldsmiths Univ London, “Tangible Scores”, 3d July.
  • Ars Electronica Festival, Interface Culture Events, Linz,  “Tangible Scores”, 6th September.
  • International Computer Music Conference 2014, National Bank of Greece Building – Athens. “Tangible Scores”, 15th September.
  • 2013
  • Alte Schmiede Wien, “Sense of Place”, 15th January.
  • Lentos Museum Linz, “Solo” (dance), 29th April.
  • IEM Graz, Linux Audio Conference. “Endphase 20”, 8th May.
  • IEM Graz, Open Cube, “your instrument is the score”, 20th June.
  • AFO Linz, “Sense of Place”, 9th July.
  • Open Vienna Festival, “Ultranoise”, 31st October.
  • Nomadenetappe, Linz, “Blut Orgel”, 13th December
  • 2012
  • Festival InterAcciona, San Luis de Potosí, Mexico. Endphase 18.3, Mixed Cities. 26th January.
  • Niños Consentidos, Barcelona, Spain. Ultranoise. 28th February.
  • Kunst Universität Linz, Austria. Ultranoise at Mehr Kanal, 12th March.
  • CICUS Sevilla, Spain. “4haikus “, 19th March.
  • NOVARS Manchester, UK, noTours, 29th June.
  • Skálar Sound Art Festival, Seydisfjördur, Iceland. 6th October.
  • Tabak Fabrik Linz, Austria. “The Wrong Answer”. 8th October.
  • ARGE Kultur Salzburg, Tanz Festival. 19th and 20th October.
  • Galerie V&V, Vienna. “Salon Kinect”. 3rd November.
  • Kosmos Theater Vienna, Kosmos Festival. 22 November.
  • CUBE IEM Graz. “Open Enrique Tomás”. 18th December.
  • 2011
  • Kiblix Festival, Maribor. “Ultranoise”. 20th November.
  • Ny Musikk, Oslo. “Endphase – Office Music”, 7 October.
  • Laboratorio Intr:Muros, Sevilla. “Ultranoise”, 17 September.
  • KAPU Linz, Soundscapes. “Ultranoise”, 3 September.
  • Festival Sinkro Vitoria, Endphase 18., 12th March.
  • Fundación Phonos Barcelona, VJ-Dada, 22nd March.
  • 2010
  • Planetarium Artis Amsterdam, The Netherlands, November 20th.
  • Extrapool, Nijmegen The Netherlands, October 20th.
  • Festival Ertz, Arteleku, Spain. “Ultranoise”, September 14th.
  • StadtWerkStatt Linz, Ultranoise@ Final Show Labor Für Elektroakustische Musik und Neue Medien Linz. June 30th.
  • 2009
  • La Mirada Sonora Festival, Seville, Spain. Digital live audio performance on film Rhytmus 21 by Hans Richter.
  • Brauhaus Linz, Austria. A project for the European Capital of Culture 2009. Two compositions for live electronics and Traditional Music from Austria. “Jodln” and “Maul-und-Trommelseuche”. 18th September 2009.
  • 6th  Sound and Music Computing Conference (SMC2009), Endphase 16 Curated by Pauline Oliveros. Casa da Musica, Porto 23rd July.
  • Centro Cultural Galileo, Madrid. Endphase with Neopercusión, Coro Galileo and Dirty Moustache, 24th June.
  • Festival de Las Artes de Castilla y León, Casa de Las Conchas de Salamanca, Endphase 15, 31st May.
  • KunstUni Linz, Stelldich Project, Linz, Austria. Ultranoise DJ Set; 2 May.
  • Fasching Parade Linz, Austria. Ultranoise with Wilcox and Proske; 7th February.
  • Church San Luis de Los Franceses, Sevilla. “Ultranoise”; 17th January
  • 2008
  • Off Limits Space, Madrid. “Endphase 15”; 23th November.
  • Futurelab New Building, Linz. “Ultranoise”; 14th November.
  • UCM Fine Arts Faculty Madrid. “Atmosfera::Sustrato Ruido – Stairs Concert”; 26th June.
  • Off Limits Space, Madrid. “Endphase 14”; 14th June.
  • El Perro Club, Madrid. “Ultranoise”; 29th May.
  • Cruce Gallery, Madrid. “Endphase 13”; 1st April.
  • 2007
  • El Pelicano, Seville. “Ultranoise”; 7th December.
  • El Patio Maravillas, Madrid. “Ultranoise”; 9th September.
  • Dorkbot Mexico, Mexico DF. “Ultranoise”; 4th August.
  • Arte Sons Festival, Lugo. “Ultranoise”; 14th April.
  • Linux Audio Conference, TU Berlin, “RecursiveDog – From Resistors to Samples”; 25th March.
  • Instituto Cervantes, Berlin. “RecursiveDog – Libre Sound”; 23th March.
  • 2006
  • Piksel Festival, Bergen. “EMI”; 14th October.
  • II In-Sonora Festival, Madrid. “Ultranoise”; 2nd October.
  • Ars Electronica Festival 2006, Linz. “EMI”; 7th September.
  • Roter Krebs, Linz. “Ultranoise”; 5th September.
  • Interactivos? Live, Radar Club, Madrid. “Ultranoise”; 21st May.
  • La Casa de Los Jacintos, Madrid.”Interactive Music Systems”; 8th May.
  • Koko Teatteri, Helsinki. “EMI”; 12nd March.
  • 2005
  • EMI Home, Malmoe. “EMI premier”; 17th December.
  • Dorkbot Madrid. “Enrique Tomás – An Interactive Instrument”; 25th October.

COLLECTIVE EXHIBITIONS

  • 2020
  • Reina Sofi?a National Museum Madrid Spain, Audiosfera, 27 May-21 September. “A Moment of Transition”.
  • 2019
  • expostmusikpostmusikexpo, University of Art and Design of Linz. Late opening exhibition 29 May.
  • 2018
  • SpeculumArtiumFestival,TrjboljeSlovenia,“Tangible Modular Instrument”, 14-18 September.
  • 2017
  • CentroCentro,Madrid,Spain,exhibitionCharivaria,”Atmosfera::Sustrato_Ruido”,5 October – 28 January.
  • 2016
  • STWST X 48, Stadtwerkstatt Linz, “SDR Music”, parallel program to Ars Electronica Festival 2016, 8th-13th September
  • Art Diagonale, Museum Angerlehner Wels, “On How to Make a Robot Dance the Secret Dance of Panama Papers”, 16th July – 8th August.
  • Linz Exports, Salzamt Linz, “Permanent Expedition in Vigo”, 4th-24th May.
  • TEI Conference 2016 TU/e Eindhoven, “Our Body is the manual”, “Tangible Scores”, 15th – 17th February.
  • Art’s Birthday 2016, Eleonore Schiff Linz, 17th January (curator).
  • 2015
  • Sankt Interface, Kunstuniversität Linz, 9th December (curator).
  • Piksel Festival, Bergen. “noTours Piksel”, 18th – 20th November.
  • Festival der Regionen, Ebensee, invited by dorf TV. “360º soundscape”, 19th – 28 June
  • 2014
  • Graph-CMI, Halles de Carcassonne,  Carcassonne. “Continent Rouge”, 30th April – 18th May.
  • MARCO, Vigo. “Permenent Expedition”, 23rd July – 31st August.
  • Sonar + D Festival, Barcelona. “Tangible Scores”, 11th – 13th June
  • Ars Electronica Festival 2014, Interface Cultures Exhibition, Linz.  “Tangible Scores”, 4-9th September
  • Goethe Institut, Athens. “StadGeschichten” (soundwalk and exhibition), 18th  September – 1st October.
  • 2013
  • Locative Audio, University of Fine Arst, Valencia, Spain. 12th April.
  • A Knocking Bird, Soundwalk for the City Council of Sint-Niklaas, Belgium. June 14th-September 15th.
  • Sound Dérive, Architektur and Klang Exhibition, AFO, Linz, Austria. 2nd July – 18th October.
  • Schallmauer, Musiktheater Linz, Austria. Permanent exhibited since 14th September.
  • noTours ISS, ESC Labor at Steirischer Herbst Festival Graz, Austria. 21st September.
  • Politic Body, Museo Vela, Ligornetto, Switzerland. 22nd September – 15th December.
  • 2012
  • 1ª Bienal do Livro e da Leitura, Brasilia, Brazil. 14th to 23th April
  • De La Oscuridad Viene La Luz – Exhibition, Centro Cultural Galileo, Madrid, Spain. June 28th – 3rd September.
  • Locative Audio, NOVARS, Manchester, UK. 29th June.
  • Skálar Festival, Seydisfjördur, Iceland. 3-6 October.
  • Galerie V&V, Vienna. Salon Kinect. 6 November.
  • 2011
  • LABoral Centro de Arte y Creación Industrial, “Narrativas Espaciales”, 25 Nov-27January.
  • Ny Musikk, Oslo, Endphase “Office Music”, 5-7 October.
  • Sonorous Horreum, Linz, “ultranoise”, 3-9 September.
  • Mantis Festival Manchester, “noTours Manchester”.  11th June.
  • Liwoli Linz, Austria.  noTours “Commons Walks”, 12th May – 14th May
  • KUMU Tallinn,Estonia.  noTours “White Walk”, 12th May – 30th September
  • S.M.A.K. Ghent, Belgium. “noTours Ghent”, 1st May
  • 2010
  • Galeria Ra del Rey, Madrid, Spain. “FASE”, October 15-21.
  • Ertz Festival, Spain. “NoTours AdiBera”, September 10-18.
  • Tirgu Mures Art Festival, Rumania, 1-5 September.
  • Galerie Der Stadt Traun, Traun, Austria. “Ein Nachmittag in Traun”. 5 site-specific sound art installations. June 9th – 11st July.
  • La Casa Encendida, Madrid, Spain. “noTours: El Ángel”. International Sound Art Exhibition “ARTe SONoro”. April 22nd – July 15th.
  • 2009
  • B.a.d. Foundation Rotterdam, Netherlands.”360º Soundscape”. 27th to 29th November 2009.
  • Galerie Strafsachenstelle, Linz, Austria. First presentation of “Peer2Peer” at the exhibition “Fantasmarama – 101 Digital Emotions” . ; since 2ndto 8th September. In collaboration with Ursula Guttmann.
  • Laboral Centro de Arte y Creación Industrial, Gijón. “No Tours”; since 3rd April to 29th June.
  • Galerie V+V, Vienna. “Extension Impulse Sound” (in colaboration with Ursula Guttmann); since 23th January.
  • 2008
  • Biennial of Contemporany Art of Seville. “Algorithmic Echolocation”; 18th September – 20th December.
  • Joan Miró Foundation of Mallorca. “Line Surface Noise” (in colaboration with Phillipe Chatelain); 11st October – 30th November.
  • Laboral Centro de Arte y Creación Industrial, Gijón. “Life Floor”; 18th April – 22nd September.
  • Interventions in Thursday, Seville. “A sweeter city”; 6th March.
  • 2007
  • III In-sonora Festival, Madrid. “Atmosfera::Sustrato_Ruido, Six Noise Interventions”; 16th – 22nd October.
  • 2006
  • Medialab Madrid, “Experimental Music Instruments”; November.
  • Ars Electronica Festival 2006, Linz. “Experimental Music Instruments”; September.
  • Observatori Festival 2006, Valencia. “Algorithmic Echolocation”; May.
  • 2005
  • Node d’art i pensament, Alella. “Mousaic Alella”; November.
  • Ars Electronica 2005, Linz. “Algorithmic Echolocation”; September.
  • Sonar Festival 2005, Barcelona. “Algorithmic Echolocation”; June.

AWARDS AND GRANTS

  • 2019
  • Madrid Council, Commission for the composition of a work for music ensemble and electronics, Ciclo de mu?sica contempora?nea VANG. Post-digital” premiered 24.4.2019 in Madrid.
  • 2016
  • CTM 2016, ENCAC Audiovisual Network, Production Scholarship.
  • 2015
  • Stipendium PhD Dissertation Finalization, Akademie der Kunste Wien & Kunstuniversität Linz.
  • 2013
  • Cannes Media & TV Awards for Best Music, “Linz Textil” by director Antonin Pevny.
  • Production Grant  at Telefónica 14th Vida Prize.
  • 2012
  • Stipendium (Scholarship) of the University of Arts in Linz for elaboration of PhD studies (3 years)
  • 2011
  • “Cities@Manchester” for the production with NOVARS of audiowalks in Manchester city center.
  • Premio a la Innovación en Arte y Tecnología – CICUS – Universidad de Sevilla.
  • 2009
  • Ayudas a la Movilidad de Creadores, Matadero de Madrid, Spain. Project Digital Graffiti in colaboration with Ars Electronica Futurelab, Johannes Kepler University Linz and Siemens Corporation in Munich.
  • Beca de producción Audiovisual y Musical para Jóvenes Creadores, Instituto Universitario del Audiovisual de la Universidad Pompeu Fabra y  Fundación Phonos. Project Vj-Dada

GIVEN WORKSHOPS, LECTURES, PRESENTATIONS AND COURSES

  • 2021
  • 21th NIME Conference, New Interfaces for Musical Expresion Conference, Juni 2021, Shanghai, China. “Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces”.
  • Blaues Rauschen Festival 2021, Essen Germany. „Post-pandemic music“, Oktober 2021.
  • 2020
  • NIME – New Interfaces for Musical Interfaces Conference, July 2020, Birmingham UK. “A Playful Approach for Teaching NIME”.

  • 2019
  • NIME – New Interfaces for Musical Interfaces Conference, July 2020, Birmingham UK. “Material Embodiments of Electroacoustic Music: An Experimental Workshop Study”.
  • International Symposium on Artistic Research, Wann wird Kunst zur ku?nstlerischen Forschung? Burckner University Linz, Austria. 23.5.2019.
  • Simposio investigacio?n arti?stica Capsulas Fuentes III, Facultad de Bellas Artes de Madrid, Universidad Complutense, “The Action of the Hand”, 25.4.2019
  • Artistic Research Workshop on en la Pra?ctica Musical, Medialab-Prado Madrid, 26.4.2019.
  • Workshop Sistemas Interactivos e Instalaciones Sonoras, Master de Composicio?n Electroacu?stica, Centro Musical Katarina Gurska Madrid, 2-3 Januar.
  • 2018
  • Workshop Creacio?n de Interfaces Musicales, LABoral Gijo?n, 22-25 November.
  • Co-Create Simposium, Universidad Deusto Bilbao, “Co-creating an educational curriculum” 19 November.
  • Ars Electronica Festival, Linz, Musical Simposium Brucker University, “Politics of Musical Interfaces”, 8 September.
  • Universidad de Pontevedra, Facultad de Bellas Artes, “The action of e hand”, 2 May.
  • Taller Sistemas Interactivos e Instalaciones Sonoras, Master de Composicio?n Electroacu?stica, Centro Musical Katarina Gurska Madrid, 8 – 9 de Januar.
  • 2017
  • Centro de Arte Santa Mo?nica, Barcelona. Difrractive Interfaces workshop. 13 – 17 June.
  • CTM Festival, Music Hack Lab, “Non-representational Interfaces”, 3.2.2017.
  • Workshop Sistemas Interactivos e Instalaciones Sonoras, Master de Composicio?n Electroacu?stica, Centro Musical Katarina Gurska Madrid, 7 – 8 Januar.
  • 2016
  • University of Sussex, Digital Humanities Lab, 26th October.
  • IRCAM, Centre Pompidou Paris, New Notations Symposium, 22nd-23rd September.
  • TENOR International Conference Cambridge, 30th May.
  • Politics of the Interface International Conference, Barcelona, 28th April.
  • Basque Country University of Art, Bilbao, 17th March.
  • TEI International Conference, Eindhoven, 17th February.
  • Centro Katarina Gurska, Madrid. Interactive Music Instruments, 9th – 10th January.
  • 2015
  • Dutch Flamenco Biennial, Flamenco Dance Workshop with Juan Carlos Lérida.
  • Centro Katarina Gurska, Madrid. Interactive Music Instruments, 10th – 11th January.
  • 2014
  • ICMC +SMC International Conference, Athens, 24th October.
  • NIME International Conference, London, 3rd July.
  • Centro Katarina Gurska, Madrid. Interactive Music Instruments, 12th April.
  • 2013
  • ELAK Wien, Geolocated Music. 25th April.
  • Open Vienna Festival, Music Instruments with Raspberry PI, 31st October.
  • 2012
  • Aula de Músicas, Madrid, Spain. Introduction to interfaces for musical expression, 14th January.
  • Anglia Ruskin University Cambridge, UK. noTours. 6th to 8th February.
  • Hangar Barcelona,  Spain. noTours. 29th Feb to 2nd March.
  • University of Southampton, UK. noTours. 15th to 19th May.
  • Anglia Ruskin University Cambridge, UK. noTours. 1st June.
  • ESC Labor Graz, Austria. noTours, 14th and 15th June.
  • University of Arts Tampere. noTours. 20-22 September.
  • Skálar Sound Art Festival, Seydisfjördur, Iceland. noTours. 5th October.
  • University of Arts Linz. Interface Technologies I. All the first Semester.
  • IEM Graz. “Geolocated Composition”. 1oth December.
  • 2011
  • NOVARS Research Center, Manchester. noTours. 1st December.
  • Kiblix Festival, Maribor. noTours. 21st November.
  • National Library of Brasil, Brasilia. Geolocated Sound Art, 9 & 10 October.
  • Academy of Fine Arts Athens. noTours and Geolocated Sound Art, 5 July.
  • WORM, Rotterdam, 3-4 June.
  • NOVARS, University of Manchester, 18th May.
  • Sound likes Mobility Conference, University Anglia Ruskin of Cambridge, 17th May.
  • 2010
  • OpenLab Seville, Spain. Artgeneering, November 11-13th.
  • Labor Für Elektroakustische Musik und Neue Medien Linz, Computer Music Course. January – June 2010
  • Labor Für Elektroakustische Musik und Neue Medien Linz, Programming for Artists Coure, March 2010.
  • 2009
  • Festival Territorios Digitales, Seville, Spain. Instrumentos Musicales Digitales, 5th June.
  • 2008
  • Escenica, Seville. “Experimental Controllers for Stage”. 24Th – 29th November.
  • CDMC Reina Sofia Museum Madrid. “Experimental Music Controllers with Endphase”; 18th – 19th November.
  • UCM Fine Arts Faculty Madrid. “Experimental Music Controllers”; 25th May.
  • Laboral, Gijón. “Programming Art Code”; February.
  • UCM Fine Arts Faculty Madrid. “Experimental Music Instruments with Pd and Arduino”; 18th January.
  • 2007
  • CDMC Reina Sofia Museum Madrid. “Experimental Music Controllers with Pd and Arduino”; 4th December.
  • Escenica, Sevilla. “Interfaces for Musical Expression with Pd and Arduino”; 19th – 24th Novermber.
  • Cultural Center of Spain in Mexico, Mexico DF. “Interfaces for Musical Expression with Pd and Arduino”. August.
  • UCLM Faculty of Fine Arts, Cuenca. “Interactive Art Installations Design”. May.
  • Linux Audio Conference 2007, TU Berlin. “From Resistors to Samples”; 22nd – 25th March.
  • Medialab Madrid, “Openlab: From Resistors to Samples”; March – May.
  • 2006
  • Medialab Madrid. “Programming Art Code”; 4th – 8th December.
  • Medialab Madrid. “Electronic Musical Instruments Design with Pure Data and Arduino”; 20th – 25th November.
  • UCLM Faculty of Fine Arts, Cuenca. “Electronic Musical Instruments Design with Pure Data and Arduino”; 13th – 14th November.
  • La Noche en Blanco, Madrid. “EMI – Experimental Music Instruments”; 22nd September.
  • Ars Electronica Festival 2006, Linz. “EMI – Experimental Music Instruments”; 2nd – 7th September.
  • Master in Art and New Technologies UEM, Madrid. “Interaction Design”; June.
  • Master in Art and New Technologies UEM, Madrid. “Interactive Sound”; April.
  • Medialab Madrid. “Nicola Tesla, Science and Fiction”; 2nd February.
  • Medialab Helsinki. “EMI – Experimental Music Instruments”. March.
  • 2005
  • CDMC Reina Sofia Museum Madrid. “Algorithmic Echolocation Sonification”; 2th July.

ACADEMIC PUBLICATIONS (Blind Peer-reviewed)

  • Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces. 21st International Conference on New Interfaces for Musical Expression, Shanghai 14-18 June, 2021.
  • Embodied Gestures (book). TU Wien Academic Press. In Press (2021).
  • A Playful Approach to Teaching NIME:Pedagogical Methods from a Practice-Based Perspective, Enrique Tomás. International Conference on New Interfaces for Musical Expression (NIME20), Birmingham, UK, 2020.
  • Material Embodiments of Electroacoustic Music: An Experimental Workshop Study, Enrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner. International Conference on New Interfaces for Musical Expression (NIME19), Porto Alegre, Brazil, 2019.
  • The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition, Enrique Tomás. Doctoral Thesis, Supervisor: Martin Kaltenbrunner and Gerhard Eckel, Kunstuniversität Linz, Austria, 2018.
  • Collaborative Design Methods towards Evaluation of a Tangible Interface. Visda Goudarzi, Enrique Tomás and Artemi-Maria Gioti. Proceedings of the International Conference on Live Interfaces (ICLI), Porto, Portugal, 2018.
  • Schallmauer: Composing Tactile Sound for the Solid Medium. Martin Kaltenbrunner, Enrique Tomás. 2018, xCoAX Conference, Madrid, Spain, 2018.
  • Diffractive Interfaces: la difracción como una metodología de investigación artística. Andreu Belsunces, Laura Benítez Valero, Ulrich Brandstätter, César Escudero, Fabricio Lamoncha, Paula Pin, Enrique Tomás. Artnodes. (20), pp.85–100, 2017.
  • How the Arts Can Help Tangible Interaction Design: A Critical Re-Orientation. Enrique Tomás. Informatics Journal, Special Issue on Tangible Interaction Design, MDPI, 2017
  • Musical Instruments as Scores: A Hybrid Approach. Enrique Tomás. Proceedings of TENOR 16: Second International Conference on Technologies for Music Notation and Representation 2016, Cambridge, United Kingdom, 2016
  • Tangible Scores: An Installation. Enrique Tomás. Proceedings of the 10th  International Conference on Tangible and Embedded Interaction (TEI2016), Eindhoven, Netherlands, 2016.
  • Politics of Musical Interfaces: Ideologies and Digital Disenchantment. Enrique Tomás. Proceedings of the First International Conference on Politics of the Interface 2016, Barcelona, Spain, 2016
  • Tangible Scores: Shaping the Inherent Instrument Score. Enrique Tomás, Martin Kaltenbrunner. NIME’14, Junio 30 – Julio 03, 2014, Goldsmiths University, London, UK, 2014.

ARTIST IN RESIDENCE

  • 2016
  • University of Sussex, Digital Humanities Lab, 23rd-30th October.
  • STSWT Linz, Eleonore Schiff, 2nd-9th September
  • Art Diagonale, Traun. 7th.16th July.
  • 2014
  • MARCO, Vigo, 15th-30 July.
  • La Chartreuse, Avignon. 1st – 25th March.
  • 2011
  • Skálar Sound Art Center, Seydisfjördur, Iceland. 27th Sept. – 10th October
  • 2011
  • LABoral Centro de Arte y Creación Industrial. 17 October – 8 November.
  • 2009
  • B.a.d. Foundation Rotterdam. 1st October to 15th December 2009.

CURATORIAL EXPERIENCE

  • 2013
  • Exhibition “Metaphors”. Nomadenetappe, Linz, Austria. February 2013.
  • 2011
  • Soundscapes Electronic Music Program at Kapu Linz.
  • 2008
  • Dorkbot Madrid
  • 2007
  • Dorkbot Madrid
  • Festival Sonar 2007, Sonar a la Carta. Redes Aurales. Selection of online sound projects as part of mediateletipos.net
  • Festival Arte Sons, Lugo.

EDUCATION

  • 2012-2018
    Doctor (PhD) Kunstuniversität Linz. Institut für Medien, Tangible Music Lab. Doctoral thesis: “The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition”.
  • 1999-2004MSc. Telecomunications Engineering; Signals and Systems Department – Real Time Signal Processing Group. Universidad Politecnica de Madrid.

MUSICAL EDUCATION

  • June 2003- September 2005Two Years of Classical Music Composition, Conservatorio Superior de Música de Madrid
  • 1994-2002Classical Guitar Degree, Conservatorio Profesional de Música Amaniel de Madrid.

RESEARCH/ACADEMIC EXPERIENCE

  • Since October 2021

Senior Lecturer Postdigital Lutherie Master, Tangible Music Lab, Institute for Media, University of Art and Design Linz, Austria.

  • October 2020 – September 2021

Bruckner University Linz, Teacher of the master courses Fundamentals of Digital Music I – IV, Institute for Composition and Computer Music.

  • March 2020 – September 2021

TU Wien, Lecturer of Musical Interface Design, Faculty of Informatics.

  • March – July 2015Free Associated Teacher at the Graphic Design Department of the Universität für Angewandte Kunst in Vienna.
  • Since September 2012.Free Associated Teacher at the Interface Culture Department of the Kunstuniversität Linz. Courses: Musical Interface Design, Artistic Research, Interface Design, Responsible of more than ten exhibitions and concerts with students.
  • August 2008 – October 2009Futurelab Ars Electronica, Computer Music installations for new Vienna’s Airport Terminal.
  • November 2007 – July 2008Robotics Lab UC3M Univ, Research Fellowship in Robot – Human Interaction.
  • Since April 2007Faculty of Fine Arts Cuenca, Independent Researcher in Evolutive and Dynamic Interfaces.
  • January 2007 – November 2007Intermediae, Madrid Council. Technical Assistant for digital art works and events production.
  • November 2005 – November 2007Medialab Madrid, Madrid Council. Technical Assistant for digital art works and events production. Responsible of AVLAB (Audio and Video Lab).
  • October 2004 – January 2006Navy Research Center of Spain. Researcher in Simulation of Infrared Maritime Scenes.
  • September 2003 – September 2004Consejo Superior de Investigaciones Científicas. Researcher in real time speech signal for my Final Degree Project.
  • February 2003 – June 2003Universidad Politécnica de Madrid. Technical Assistant at the Electronic Systems Lab.

LANGUAGES

  • English: fluent when writing, reading and speaking
  • Spanish: Mother Language
  • German: capable of writing, reading and speaking with some improvement.
  • French, Italian and Portuguese: basic knowledge.

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