Curriculum vitae and Contact [enrique tomás]

Enrique Tomás

Melicharstr. 1

4020 Linz

Austria

Phone: +43 664 2076 329 / +34 696 5249 15

email: warholiano@yahoo.es

website: http://www.ultranoise.es

bandcamp: http://enriquetomas.bandcamp.com

Skype: warholianomadrid

MOST RELEVANT CONCERTS AND PERFORMANCES

2022

• Festival Insonora 22, Sala Replika, Madrid, Spain. 11 March 2022.
• Festival IF, iMAL Brussels, Belgium. 21 April 2022.
• Nordico Museum Archive Opening, Linz, Austria. 4 May 2022.
• Festival Akousmata, Ionian University Corfu, Greece. 1 & 2 June 202.
• Nachhall #2, Echo Raum Vienna, Austria. 3 June 2022.

2021

• Ars Electronica Festival 2021, Sound Campus, Binaural Concert, 10 September.
• Ars Electronica Festival 2021, Nightline, Stadtwerkstatt, 11 September.
• NIME Confenrence Shanghai, 16 Juni 2021. Improvisation mit Embodied Gestures Instruments.
• Binaural Konzert, KOMA Ottensheim, 24 July 2021.
• Blaues Rauschen Festival Essen, 17 Oktober 2021.

    2020

• Echoes Around Me festival Wien, 2-3 Oktober 2020, Improvisation mit Embodied Gestures Instruments
• EchoRaum Wien, 9.5.2020. “embodied gestures improvisation mit Thomas Gorbach.
• ESC Medienkunst Labor Graz, 17.1.2020. “30 minutes of SDR” for the international event “The Arts Birthday”.
• Insonora Festival 2020, 13.2.2020 “AMoment of Transition”.

2019

• CentroCentro Madrid, VANG Programme, Premiere “Post-digital” commissioned by Madrid Council of the Arts, 24.4.2019.
• Eufonic Urba? Festival Barcelona, “A moment of transition”, 1.2.2019, Centro de Arte Santa Mo?nica.
• Gallery V&V Wien, 7.11.2019 “Tangible Colliders”.
• 1st Council of Festive Devils, Santa Clara Church Bogota?, Colombia. 9.12.2019 Organised by the National University of Colombia in Bogota?. Concert “The Dawn of Krampus”.

    2016

• Verkadefabriek Den Bosch, November Music Festival, “Bagatelles”, 13th November.
• IRCAM, Centre Pompidou Paris, “Tangible Scores”, 22nd September.
• Ars Electronica Festival 2016, STWST Main Deck, “SDR Music”, 10th September.
• Linz Fest, Salzamt Linz, “SDR Music”, 14th May.
• MEM Festival, Sala Sarean Bilbao, 16th March.
• MEMPHIS Linz, Musikkapelle Interface Culture, 25th January.
• Stadwerkstatt-Eleonore Schiff, Art’s Birthday, 14th January.

• 2015
• Ars Electronica Festival, Linz. “Sense of Place”, 7th September
• Unmade Displays, Udine. “VJdada”, 20th March.
• Muziekgebouw Amsterdam, “Bagatelles”, 22nd and 23rd January
• Villa K, Stichting Centrum The Hague, 21st January
• Lantaren Vernster Rotterdam, “Bagatelles”, 18th January

• 2014
• Noise Cocktail, Dokapi – Kunstuniversität Linz, “Ultranoise”, 20th March.
• Sonar Festival + D, Barcelona, “Tangible Scores Showcase”, 12th June.
• Cidade da Cultura – Atardeceres no Gaiás, Santiago de Compostela, “Ultranoise”, 24th July.
• Festival SinSal, Isla San Simón, Pontevedra (Spain), “MidiMarschMusik-Kapelle”, 27th July.
• Fundacion Eugenio Granell, Santiago de Compostela, “Sense of Place”, 29th July.
• New Interfaces for Musical Expression Conference, Goldsmiths Univ London, “Tangible Scores”, 3d July.
• Ars Electronica Festival, Interface Culture Events, Linz,  “Tangible Scores”, 6th September.
• International Computer Music Conference 2014, National Bank of Greece Building – Athens. “Tangible Scores”, 15th September.

• 2013
• Alte Schmiede Wien, “Sense of Place”, 15th January.
• Lentos Museum Linz, “Solo” (dance), 29th April.
• IEM Graz, Linux Audio Conference. “Endphase 20”, 8th May.
• IEM Graz, Open Cube, “your instrument is the score”, 20th June.
• AFO Linz, “Sense of Place”, 9th July.
• Open Vienna Festival, “Ultranoise”, 31st October.
• Nomadenetappe, Linz, “Blut Orgel”, 13th December

• 2012

• Festival InterAcciona, San Luis de Potosí, Mexico. Endphase 18.3, Mixed Cities. 26th January.
• Niños Consentidos, Barcelona, Spain. Ultranoise. 28th February.
• Kunst Universität Linz, Austria. Ultranoise at Mehr Kanal, 12th March.
• CICUS Sevilla, Spain. “4haikus “, 19th March.
• NOVARS Manchester, UK, noTours, 29th June.
• Skálar Sound Art Festival, Seydisfjördur, Iceland. 6th October.
• Tabak Fabrik Linz, Austria. “The Wrong Answer”. 8th October.
• ARGE Kultur Salzburg, Tanz Festival. 19th and 20th October.
• Galerie V&V, Vienna. “Salon Kinect”. 3rd November.
• Kosmos Theater Vienna, Kosmos Festival. 22 November.
• CUBE IEM Graz. “Open Enrique Tomás”. 18th December.

• 2011
• Kiblix Festival, Maribor. “Ultranoise”. 20th November.
• Ny Musikk, Oslo. “Endphase – Office Music”, 7 October.
• Laboratorio Intr:Muros, Sevilla. “Ultranoise”, 17 September.
• KAPU Linz, Soundscapes. “Ultranoise”, 3 September.
• Festival Sinkro Vitoria, Endphase 18., 12th March.
• Fundación Phonos Barcelona, VJ-Dada, 22nd March.

• 2010
• Planetarium Artis Amsterdam, The Netherlands, November 20th.
• Extrapool, Nijmegen The Netherlands, October 20th.
• Festival Ertz, Arteleku, Spain. “Ultranoise”, September 14th.

• StadtWerkStatt Linz, Ultranoise@ Final Show Labor Für Elektroakustische Musik und Neue Medien Linz. June 30th.

• 2009
• La Mirada Sonora Festival, Seville, Spain. Digital live audio performance on film Rhytmus 21 by Hans Richter.
• Brauhaus Linz, Austria. A project for the European Capital of Culture 2009. Two compositions for live electronics and Traditional Music from Austria. “Jodln” and “Maul-und-Trommelseuche”. 18th September 2009.
• 6th  Sound and Music Computing Conference (SMC2009), Endphase 16 Curated by Pauline Oliveros. Casa da Musica, Porto 23rd July.
• Centro Cultural Galileo, Madrid. Endphase with Neopercusión, Coro Galileo and Dirty Moustache, 24th June.
• Festival de Las Artes de Castilla y León, Casa de Las Conchas de Salamanca, Endphase 15, 31st May.
• KunstUni Linz, Stelldich Project, Linz, Austria. Ultranoise DJ Set; 2 May.
• Fasching Parade Linz, Austria. Ultranoise with Wilcox and Proske; 7th February.
• Church San Luis de Los Franceses, Sevilla. “Ultranoise”; 17^th January
• 2008
• Off Limits Space, Madrid. “Endphase 15”; 23^th November.
• Futurelab New Building, Linz. “Ultranoise”; 14^th November.
• UCM Fine Arts Faculty Madrid. “Atmosfera::Sustrato Ruido – Stairs Concert”; 26^th June.
• Off Limits Space, Madrid. “Endphase 14”; 14^th June.
• El Perro Club, Madrid. “Ultranoise”; 29^th May.
• Cruce Gallery, Madrid. “Endphase 13”; 1^st April.
• 2007
• El Pelicano, Seville. “Ultranoise”; 7^th December.
• El Patio Maravillas, Madrid. “Ultranoise”; 9^th September.
• Dorkbot Mexico, Mexico DF. “Ultranoise”; 4^th August.
• Arte Sons Festival, Lugo. “Ultranoise”; 14^th April.
• Linux Audio Conference, TU Berlin, “RecursiveDog – From Resistors to Samples”; 25^th March.
• Instituto Cervantes, Berlin. “RecursiveDog – Libre Sound”; 23^th March.
• 2006
• Piksel Festival, Bergen. “EMI”; 14^th October.
• II In-Sonora Festival, Madrid. “Ultranoise”; 2^nd October.
• Ars Electronica Festival 2006, Linz. “EMI”; 7^th September.
• Roter Krebs, Linz. “Ultranoise”; 5^th September.
• Interactivos? Live, Radar Club, Madrid. “Ultranoise”; 21^st May.
• La Casa de Los Jacintos, Madrid.”Interactive Music Systems”; 8^th May.
• Koko Teatteri, Helsinki. “EMI”; 12^nd March.

• 2005
• EMI Home, Malmoe. “EMI premier”; 17^th December.
• Dorkbot Madrid. “Enrique Tomás – An Interactive Instrument”; 25^th October.

COLLECTIVE EXHIBITIONS

• 2016
• STWST X 48, Stadtwerkstatt Linz, “SDR Music”, parallel program to Ars Electronica Festival 2016, 8th-13th September
• Art Diagonale, Museum Angerlehner Wels, “On How to Make a Robot Dance the Secret Dance of Panama Papers”, 16th July – 8th August.
• Linz Exports, Salzamt Linz, “Permanent Expedition in Vigo”, 4th-24th May.
• TEI Conference 2016 TU/e Eindhoven, “Our Body is the manual”, “Tangible Scores”, 15th – 17th February.
• Art’s Birthday 2016, Eleonore Schiff Linz, 17th January (curator).

• 2015
• Sankt Interface, Kunstuniversität Linz, 9th December (curator).
• Piksel Festival, Bergen. “noTours Piksel”, 18th – 20th November.
• Festival der Regionen, Ebensee, invited by dorf TV. “360º soundscape”, 19th – 28 June

• 2014
• Graph-CMI, Halles de Carcassonne,  Carcassonne. “Continent Rouge”, 30th April – 18th May.
• MARCO, Vigo. “Permenent Expedition”, 23rd July – 31st August.
• Sonar + D Festival, Barcelona. “Tangible Scores”, 11th – 13th June
• Ars Electronica Festival 2014, Interface Cultures Exhibition, Linz.  “Tangible Scores”, 4-9th September
• Goethe Institut, Athens. “StadGeschichten” (soundwalk and exhibition), 18th  September – 1st October.

• 2013
• Locative Audio, University of Fine Arst, Valencia, Spain. 12th April.
• A Knocking Bird, Soundwalk for the City Council of Sint-Niklaas, Belgium. June 14th-September 15th.
• Sound Dérive, Architektur and Klang Exhibition, AFO, Linz, Austria. 2nd July – 18th October.
• Schallmauer, Musiktheater Linz, Austria. Permanent exhibited since 14th September.
• noTours ISS, ESC Labor at Steirischer Herbst Festival Graz, Austria. 21st September.
• Politic Body, Museo Vela, Ligornetto, Switzerland. 22nd September – 15th December.

• 2012

• 1ª Bienal do Livro e da Leitura, Brasilia, Brazil. 14th to 23th April
• De La Oscuridad Viene La Luz – Exhibition, Centro Cultural Galileo, Madrid, Spain. June 28th – 3rd September.
• Locative Audio, NOVARS, Manchester, UK. 29th June.
• Skálar Festival, Seydisfjördur, Iceland. 3-6 October.
• Galerie V&V, Vienna. Salon Kinect. 6 November.

• 2011

• LABoral Centro de Arte y Creación Industrial, “Narrativas Espaciales”, 25 Nov-27January.
• Ny Musikk, Oslo, Endphase “Office Music”, 5-7 October.
• Sonorous Horreum, Linz, “ultranoise”, 3-9 September.
• Mantis Festival Manchester, “noTours Manchester”.  11th June.
• Liwoli Linz, Austria.  noTours “Commons Walks”, 12th May – 14th May
• KUMU Tallinn,Estonia.  noTours “White Walk”, 12th May – 30th September
• S.M.A.K. Ghent, Belgium. “noTours Ghent”, 1st May

• 2010

• Galeria Ra del Rey, Madrid, Spain. “FASE”, October 15-21.
• Ertz Festival, Spain. “NoTours AdiBera”, September 10-18.
• Tirgu Mures Art Festival, Rumania, 1-5 September.
• Galerie Der Stadt Traun, Traun, Austria. “Ein Nachmittag in Traun”. 5 site-specific sound art installations. June 9th – 11st July.
• La Casa Encendida, Madrid, Spain. “noTours: El Ángel”. International Sound Art Exhibition “ARTe SONoro”. April 22nd – July 15th.

• 2009
• B.a.d. Foundation Rotterdam, Netherlands.”360º Soundscape”. 27th to 29th November 2009.
• Galerie Strafsachenstelle, Linz, Austria. First presentation of “Peer2Peer” at the exhibition “Fantasmarama – 101 Digital Emotions” . ; since 2^ndto 8^th September. In collaboration with Ursula Guttmann.
• Laboral Centro de Arte y Creación Industrial, Gijón. “No Tours”; since ^3rd April to 29^th June.
• Galerie V+V, Vienna. “Extension Impulse Sound” (in colaboration with Ursula Guttmann); since 23^th January.

• 2008
• Biennial of Contemporany Art of Seville. “Algorithmic Echolocation”; 18^th September – 20^th December.
• Joan Miró Foundation of Mallorca. “Line Surface Noise” (in colaboration with Phillipe Chatelain); 11^st October – 30^th November.
• Laboral Centro de Arte y Creación Industrial, Gijón. “Life Floor”; 18^th April – 22^nd September.
• Interventions in Thursday, Seville. “A sweeter city”; 6^th March.
• 2007
• III In-sonora Festival, Madrid. “Atmosfera::Sustrato_Ruido, Six Noise Interventions”; 16^th – 22^nd October.
• 2006
• Medialab Madrid, “Experimental Music Instruments”; November.
• Ars Electronica Festival 2006, Linz. “Experimental Music Instruments”; September.
• Observatori Festival 2006, Valencia. “Algorithmic Echolocation”; May.

• 2005
• Node d’art i pensament, Alella. “Mousaic Alella”; November.
• Ars Electronica 2005, Linz. “Algorithmic Echolocation”; September.
• Sonar Festival 2005, Barcelona. “Algorithmic Echolocation”; June.

AWARDS AND GRANTS

• 2019

• 2016
• CTM 2016, ENCAC Audiovisual Network, Production Scholarship.

• 2015
• Stipendium PhD Dissertation Finalization, Akademie der Kunste Wien & Kunstuniversität Linz.

• 2013
• Cannes Media & TV Awards for Best Music, “Linz Textil” by director Antonin Pevny.
• Production Grant  at Telefónica 14th Vida Prize.

• 2012
• Stipendium (Scholarship) of the University of Arts in Linz for elaboration of PhD studies (3 years)

• 2011

• “Cities@Manchester” for the production with NOVARS of audiowalks in Manchester city center.
• Premio a la Innovación en Arte y Tecnología – CICUS – Universidad de Sevilla.
• 2009

• Ayudas a la Movilidad de Creadores, Matadero de Madrid, Spain. Project Digital Graffiti in colaboration with Ars Electronica Futurelab, Johannes Kepler University Linz and Siemens Corporation in Munich.
• Beca de producción Audiovisual y Musical para Jóvenes Creadores, Instituto Universitario del Audiovisual de la Universidad Pompeu Fabra y  Fundación Phonos. Project Vj-Dada

GIVEN WORKSHOPS, LECTURES, PRESENTATIONS AND COURSES

• 2021
• 21th NIME Conference, New Interfaces for Musical Expresion Conference, Juni 2021, Shanghai, China. “Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces”.
• Blaues Rauschen Festival 2021, Essen Germany. „Post-pandemic music“, Oktober 2021.
• 2020

• NIME – New Interfaces for Musical Interfaces Conference, July 2020, Birmingham UK. “A Playful Approach for Teaching NIME”.

• 2019
• NIME – New Interfaces for Musical Interfaces Conference, July 2020, Birmingham UK. “Material Embodiments of Electroacoustic Music: An Experimental Workshop Study”.

• 2018
• Workshop Creacio?n de Interfaces Musicales, LABoral Gijo?n, 22-25 November.
• Co-Create Simposium, Universidad Deusto Bilbao, “Co-creating an educational curriculum” 19 November.
• Ars Electronica Festival, Linz, Musical Simposium Brucker University, “Politics of Musical Interfaces”, 8 September.
• Universidad de Pontevedra, Facultad de Bellas Artes, “The action of e hand”, 2 May.
• Taller Sistemas Interactivos e Instalaciones Sonoras, Master de Composicio?n Electroacu?stica, Centro Musical Katarina Gurska Madrid, 8 – 9 de Januar.

• 2017
• Centro de Arte Santa Mo?nica, Barcelona. Difrractive Interfaces workshop. 13 – 17 June.
• CTM Festival, Music Hack Lab, “Non-representational Interfaces”, 3.2.2017.
• Workshop Sistemas Interactivos e Instalaciones Sonoras, Master de Composicio?n Electroacu?stica, Centro Musical Katarina Gurska Madrid, 7 – 8 Januar.

• 2016
• University of Sussex, Digital Humanities Lab, 26th October.
• IRCAM, Centre Pompidou Paris, New Notations Symposium, 22nd-23rd September.
• TENOR International Conference Cambridge, 30th May.
• Politics of the Interface International Conference, Barcelona, 28th April.
• Basque Country University of Art, Bilbao, 17th March.
• TEI International Conference, Eindhoven, 17th February.
• Centro Katarina Gurska, Madrid. Interactive Music Instruments, 9th – 10th January.

• 2015
• Dutch Flamenco Biennial, Flamenco Dance Workshop with Juan Carlos Lérida.
• Centro Katarina Gurska, Madrid. Interactive Music Instruments, 10th – 11th January.

• 2014
• ICMC +SMC International Conference, Athens, 24th October.
• NIME International Conference, London, 3rd July.
• Centro Katarina Gurska, Madrid. Interactive Music Instruments, 12th April.

• 2013
• ELAK Wien, Geolocated Music. 25th April.
• Open Vienna Festival, Music Instruments with Raspberry PI, 31st October.

• 2012
• Aula de Músicas, Madrid, Spain. Introduction to interfaces for musical expression, 14th January.
• Anglia Ruskin University Cambridge, UK. noTours. 6th to 8th February.
• Hangar Barcelona,  Spain. noTours. 29th Feb to 2nd March.
• University of Southampton, UK. noTours. 15th to 19th May.
• Anglia Ruskin University Cambridge, UK. noTours. 1st June.
• ESC Labor Graz, Austria. noTours, 14th and 15th June.
• University of Arts Tampere. noTours. 20-22 September.
• Skálar Sound Art Festival, Seydisfjördur, Iceland. noTours. 5th October.
• University of Arts Linz. Interface Technologies I. All the first Semester.
• IEM Graz. “Geolocated Composition”. 1oth December.

• 2011
• NOVARS Research Center, Manchester. noTours. 1st December.
• Kiblix Festival, Maribor. noTours. 21st November.
• National Library of Brasil, Brasilia. Geolocated Sound Art, 9 & 10 October.
• Academy of Fine Arts Athens. noTours and Geolocated Sound Art, 5 July.
• WORM, Rotterdam, 3-4 June.
• NOVARS, University of Manchester, 18th May.
  
• Sound likes Mobility Conference, University Anglia Ruskin of Cambridge, 17th May.

• 2010
• OpenLab Seville, Spain. Artgeneering, November 11-13th.

• Labor Für Elektroakustische Musik und Neue Medien Linz, Computer Music Course. January – June 2010
• Labor Für Elektroakustische Musik und Neue Medien Linz, Programming for Artists Coure, March 2010.
• 2009

• Festival Territorios Digitales, Seville, Spain. Instrumentos Musicales Digitales, 5th June.
• 2008
  
• Escenica, Seville. “Experimental Controllers for Stage”. 24^Th – 29^th November.
• CDMC Reina Sofia Museum Madrid. “Experimental Music Controllers with Endphase”; 18^th – 19^th November.
• UCM Fine Arts Faculty Madrid. “Experimental Music Controllers”; 25^th May.
• Laboral, Gijón. “Programming Art Code”; February.
• UCM Fine Arts Faculty Madrid. “Experimental Music Instruments with Pd and Arduino”; 18^th January.
• 2007
• CDMC Reina Sofia Museum Madrid. “Experimental Music Controllers with Pd and Arduino”; 4^th December.
• Escenica, Sevilla. “Interfaces for Musical Expression with Pd and Arduino”; 19^th – 24^th Novermber.
• Cultural Center of Spain in Mexico, Mexico DF. “Interfaces for Musical Expression with Pd and Arduino”. August.
• UCLM Faculty of Fine Arts, Cuenca. “Interactive Art Installations Design”. May.
• Linux Audio Conference 2007, TU Berlin. “From Resistors to Samples”; 22^nd – 25^th March.
• Medialab Madrid, “Openlab: From Resistors to Samples”; March – May.
• 2006
• Medialab Madrid. “Programming Art Code”; 4^th – 8^th December.
• Medialab Madrid. “Electronic Musical Instruments Design with Pure Data and Arduino”; 20^th – 25^th November.
• UCLM Faculty of Fine Arts, Cuenca. “Electronic Musical Instruments Design with Pure Data and Arduino”; 13^th – 14^th November.
• La Noche en Blanco, Madrid. “EMI – Experimental Music Instruments”; 22^nd September.
• Ars Electronica Festival 2006, Linz. “EMI – Experimental Music Instruments”; 2^nd – 7^th September.
• Master in Art and New Technologies UEM, Madrid. “Interaction Design”; June.
• Master in Art and New Technologies UEM, Madrid. “Interactive Sound”; April.
• Medialab Madrid. “Nicola Tesla, Science and Fiction”; 2^nd February.
• Medialab Helsinki. “EMI – Experimental Music Instruments”. March.
• 2005
• CDMC Reina Sofia Museum Madrid. “Algorithmic Echolocation Sonification”; 2^th July.

ACADEMIC PUBLICATIONS (Blind Peer-reviewed)

• Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces. 21^st International Conference on New Interfaces for Musical Expression, Shanghai 14-18 June, 2021.
• Embodied Gestures (book). TU Wien Academic Press. In Press (2021).
• A Playful Approach to Teaching NIME:Pedagogical Methods from a Practice-Based Perspective, Enrique Tomás. International Conference on New Interfaces for Musical Expression (NIME20), Birmingham, UK, 2020.
• Material Embodiments of Electroacoustic Music: An Experimental Workshop Study, Enrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner. International Conference on New Interfaces for Musical Expression (NIME19), Porto Alegre, Brazil, 2019.
• The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition, Enrique Tomás. Doctoral Thesis, Supervisor: Martin Kaltenbrunner and Gerhard Eckel, Kunstuniversität Linz, Austria, 2018.
• Collaborative Design Methods towards Evaluation of a Tangible Interface. Visda Goudarzi, Enrique Tomás and Artemi-Maria Gioti. Proceedings of the International Conference on Live Interfaces (ICLI), Porto, Portugal, 2018.
• Schallmauer: Composing Tactile Sound for the Solid Medium. Martin Kaltenbrunner, Enrique Tomás. 2018, xCoAX Conference, Madrid, Spain, 2018.
• Diffractive Interfaces: la difracción como una metodología de investigación artística. Andreu Belsunces, Laura Benítez Valero, Ulrich Brandstätter, César Escudero, Fabricio Lamoncha, Paula Pin, Enrique Tomás. Artnodes. (20), pp.85–100, 2017.
• How the Arts Can Help Tangible Interaction Design: A Critical Re-Orientation. Enrique Tomás. Informatics Journal, Special Issue on Tangible Interaction Design, MDPI, 2017
• Musical Instruments as Scores: A Hybrid Approach. Enrique Tomás. Proceedings of TENOR 16: Second International Conference on Technologies for Music Notation and Representation 2016, Cambridge, United Kingdom, 2016
• Tangible Scores: An Installation. Enrique Tomás. Proceedings of the 10th  International Conference on Tangible and Embedded Interaction (TEI2016), Eindhoven, Netherlands, 2016.
• Politics of Musical Interfaces: Ideologies and Digital Disenchantment. Enrique Tomás. Proceedings of the First International Conference on Politics of the Interface 2016, Barcelona, Spain, 2016
• Tangible Scores: Shaping the Inherent Instrument Score. Enrique Tomás, Martin Kaltenbrunner. NIME’14, Junio 30 – Julio 03, 2014, Goldsmiths University, London, UK, 2014.

ARTIST IN RESIDENCE

• 2016
• University of Sussex, Digital Humanities Lab, 23rd-30th October.
• STSWT Linz, Eleonore Schiff, 2nd-9th September
• Art Diagonale, Traun. 7th.16th July.

• 2014
• MARCO, Vigo, 15th-30 July.
• La Chartreuse, Avignon. 1st – 25th March.

• 2011
• Skálar Sound Art Center, Seydisfjördur, Iceland. 27th Sept. – 10th October

• 2011
• LABoral Centro de Arte y Creación Industrial. 17 October – 8 November.

• 2009
• B.a.d. Foundation Rotterdam. 1st October to 15th December 2009.

CURATORIAL EXPERIENCE

• 2013
• Exhibition “Metaphors”. Nomadenetappe, Linz, Austria. February 2013.

• 2011
• Soundscapes Electronic Music Program at Kapu Linz.
• 2008
• Dorkbot Madrid
• 2007
• Dorkbot Madrid
• Festival Sonar 2007, Sonar a la Carta. Redes Aurales. Selection of online sound projects as part of mediateletipos.net
• Festival Arte Sons, Lugo.

EDUCATION

• 2012-2018
  Doctor (PhD) Kunstuniversität Linz. Institut für Medien, Tangible Music Lab. Doctoral thesis: “The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition”.
• 1999-2004MSc. Telecomunications Engineering; Signals and Systems Department – Real Time Signal Processing Group. Universidad Politecnica de Madrid.

MUSICAL EDUCATION

• June 2003- September 2005Two Years of Classical Music Composition, Conservatorio Superior de Música de Madrid
• 1994-2002Classical Guitar Degree, Conservatorio Profesional de Música Amaniel de Madrid.

RESEARCH/ACADEMIC EXPERIENCE

• Since October 2021

Senior Lecturer Postdigital Lutherie Master, Tangible Music Lab, Institute for Media, University of Art and Design Linz, Austria.

• October 2020 – September 2021

Bruckner University Linz, Teacher of the master courses Fundamentals of Digital Music I – IV, Institute for Composition and Computer Music.

• March 2020 – September 2021

TU Wien, Lecturer of Musical Interface Design, Faculty of Informatics.

• March – July 2015Free Associated Teacher at the Graphic Design Department of the Universität für Angewandte Kunst in Vienna.

• Since September 2012.Free Associated Teacher at the Interface Culture Department of the Kunstuniversität Linz. Courses: Musical Interface Design, Artistic Research, Interface Design, Responsible of more than ten exhibitions and concerts with students.
• August 2008 – October 2009Futurelab Ars Electronica, Computer Music installations for new Vienna’s Airport Terminal.
• November 2007 – July 2008Robotics Lab UC3M Univ, Research Fellowship in Robot – Human Interaction.
• Since April 2007Faculty of Fine Arts Cuenca, Independent Researcher in Evolutive and Dynamic Interfaces.
• January 2007 – November 2007Intermediae, Madrid Council. Technical Assistant for digital art works and events production.
• November 2005 – November 2007Medialab Madrid, Madrid Council. Technical Assistant for digital art works and events production. Responsible of AVLAB (Audio and Video Lab).
• October 2004 – January 2006Navy Research Center of Spain. Researcher in Simulation of Infrared Maritime Scenes.
• September 2003 – September 2004Consejo Superior de Investigaciones Científicas. Researcher in real time speech signal for my Final Degree Project.
• February 2003 – June 2003Universidad Politécnica de Madrid. Technical Assistant at the Electronic Systems Lab.

LANGUAGES

• English: fluent when writing, reading and speaking
• Spanish: Mother Language
• German: capable of writing, reading and speaking with some improvement.
• French, Italian and Portuguese: basic knowledge.